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Steps that worked for me: Create a new bit Wine prefix using Winetricks and install Gecko and Mono. In the winetricks window, select default Wineprefix. These bugs have been fixed. Previously, trying to resize multiple selected tracks via the resize handle of the last automation lane would resize the main automation lane instead.

Previously, certain elements such as insert markers, the loop brace and fade handles were drawn on top of the Single Track Back to Arrangement button. Previously, the triangle icon in the Single Track Back to Arrangement button was cropped when the track was almost scrolled almost out of the visible Arrangement View. Now the triangle icon is only shown when it can be fully displayed.

Previously, the Arrangement View would abruptly scroll upwards after renaming a clip in a take lane at the bottom of the view. Instead, the clip’s take lane is now scrolled into view. Similarly, the clip’s main lane is now scrolled into view when renaming a main lane clip, whereas before, the entire track including take lanes and automation lanes was scrolled into view. A controller that sends high-resolution pitch bend can now be mapped to the scene selector and the snapshot selector.

Plug-in window titles now update when changing the name of the containing track. AU plug-in devices are now displayed as disabled if plug-in creation fails. Fixed a bug that could cause a crash when repeatedly adding and removing notes from a held chord when using the Arpeggiator device with the Hold parameter active. Previously, Live would crash when loading a one-sample length file into the Hybrid Reverb device and adjusting the Size parameter.

Fixed an incorrect error message that appeared when trying to insert a non-audio device into an Audio Effect Rack. Fixed a crash that could occur when undoing in a Set that had previously been restored after another crash. Previously, Live’s crash recovery would silently fail if the undo history contained an empty band file e. Previously, when clicking on a half-hidden track header to select it, Live might sometimes copy or move the track.

Fixed crashes and error messages pertaining to corrupt documents that occurred when loading some Live Sets. Fixed crashes that occurred after deleting a device while a take lane clip has an envelope for that device. Fixed a crash that occurred when renaming a take lane inside of a linked track and then pressing Tab.

Fixed document corruption and subsequent possible crashes or other issues when restoring a Set after a crash under certain circumstances. Zooming Arrangement tracks via the Max for Live Application. Pitch Bend, Sustain, Expression, Mod Wheel, and other MIDI controllers that one would expect to reset to a default value will now do so at the beginning of clips that do not specify them.

Note: for users who intentionally use the previous behavior, this change will make their Live Sets behave differently.

Therefore, the behavior is disabled by default. Improved Live’s performance when a very large amount of notes are visible in the Velocity or Chance Editor. Fixed a bug that caused MIDI notes in a selected area to get deleted even if the notes themselves were not selected when pressing Delete. Fixed a bug where the per-note breakpoint editor would not be focused when clicking on an expression curve in the Pressure or Slide lanes, when the Note Expression tab was visible.

When the Note Expression tab is open and no note is selected, double-clicking on the Note Ruler now correctly zooms to all notes including their pitch-bend curves.

Fixed an issue where a note could have per-note events behind the note end when recording a transposed MIDI clip into the Arrangement.

In the unlikely event that an extremely high amount of MPE control change messages come in, Live will no longer crash, and all notes will be stopped. Previously, when the Note Expression tab was open, moving the mouse from an unselected expression curve to a selected expression curve could cause the highlight to become stuck.

The Insert Time and Delete Time commands are no longer available when editing per-note expression breakpoints. Fixed a bug that could cause per-note expression to play incorrectly after a note-editing action resulted in an existing note becoming shortened.

Fixed an issue where undoing a per-note breakpoint editor change while the breakpoint editor was not open would not redraw the expression curves. The Duplicate Time command is no longer available when editing per-note expression breakpoints. Fixed a bug where the Duplicate command would truncate the original note when duplicating the selected note while working in the per-note expression breakpoint editor.

Fixed a bug where Follow Actions were not scheduled as expected, under certain circumstances. Fixed a crash that occurred when pressing the [Space] or [Tab] key after clicking on Track Status Display in Session View if a clip in Arrangement View was being played.

Previously, exporting audio might start single-threaded rendering before switching to multi-threaded rendering after a while. This could impact render performance significantly for Live Sets that benefit from multi-threaded rendering. The Library. Fixed a crash that occurred in certain scenarios if two instances of Live were running at the same time.

The functionality of the Oxygen Pro control surface script has been drastically changed. Clicking the triangular toggle button in the Clip View’s title bar shows or hides controls previously found in the Launch box, including Launch Mode, Clip Quantization, and Follow Actions. Introduced comping in the Arrangement View.

Comping makes it possible to pick the best moments of each recorded performance, and combine them into a composite track. You can record multiple takes of a musical performance without stopping recording. Live will then create and organize individual takes from this recorded material, allowing you to piece your favorite parts together.

You can also drag samples from your library and use comping as a creative sample-chopping tool. When adding a take lane via the Create menu, the take lane will be inserted after the selected lane. Otherwise, if a track is selected, the take lane will be inserted after the track’s main lane.

Inserting take lanes also works on multiple selected tracks simultaneously. Take lanes are hidden by default. Take lanes are only visible when Automation Mode is disabled. Selected material in take lanes can be placed in the track’s main lane by pressing the “ENTER” key or via a take lane’s “Copy Selection to Main Lane” context menu entry.

In Draw Mode, selected take lane material can be placed in the track’s main lane in one single gesture by clicking, dragging and then releasing the mouse. It is also possible to quickly cycle between takes within a time selection by single-clicking on a take lane and immediately releasing the mouse. When enabled, clips in the auditioned take lane will become audible and displayed in their full color, and all other lanes will be muted.

Take lanes from different tracks can be auditioned at the same time, however only one take lane per track can be auditioned. If the time selection or lane header selection stretches across multiple lanes on the same track, the last selected lane will be auditioned. For every Arrangement clip, Live will highlight its source material in a take lane by displaying it in full color, while dimming all unused take lane material. This makes it easier to track the recorded material that the clip originally came from.

Source highlights will only be shown as long as the positions and the clip properties are matching. Highlighted regions on take lanes can be resized to adjust the split point between two adjacent parts of a comp by dragging the edge of the highlight. At the right side, “Root Note” and “Scale Name” choosers allow setting a root note and scale for the selected clip s.

When a selected clip has Scale Mode enabled and a scale is selected, notes belonging to the scale are highlighted in the piano roll. By default, key tracks belonging to the selected scale are highlighted in the MIDI Note Editor, and the root note is indicated by a prominent highlight in the piano roll. When a key track height is low enough, this triangle will disappear. When Focus Mode is disabled, “Scale” is enabled and will fold key tracks according to the scales of all clips in the selection that have Scale Mode enabled.

The old Chorus, Flanger, and Phaser devices have been deprecated. Updated the appearance of the Electric device’s UI. The “Tine” and “Tone Bar” parameters are now consistently named. Introduced “Chorus-Ensemble”, a new audio effect device for Live. Chorus-Ensemble provides three different effect modes:. Classic is a thickening chorus effect. A high-pass filter allows removing the chorus signal from low frequencies.

The width of the chorus signal can be adjusted; this is useful for complex mixing tasks. The feedback signal can be inverted, which results in a “hollow” sound when combined with high feedback values. Ensemble is based on and shares controls with the Classic mode, while adding a third phase-shifted delay line for a thicker chorus sound. Vibrato applies stronger modulation than a chorus to create pitch variation. The shape of the modulation waveform can morph seamlessly from a sine to a triangle, and be used to create well-known “police siren” sounds.

Global controls allow setting the modulation rate and amount, output gain, and harmonic saturation via the “Warmth” parameter. Introduced “Phaser-Flanger”, a new audio effect device for Live.

Phaser-Flanger combines the functionalities of the Phaser and Flanger devices into one, as separate effect modes. The Phaser mode has a new, lusher sound with increased frequency and modulation ranges, while the previous Earth and Space modes have been replaced with more expressive parameters. Also included is a new Doubler effect mode. Upgraded the Redux device. New parameters allow creating a wider range of sounds, from harsh distortion to digital and aliasing artifacts, through to warm and fat 8-bit sounds.

Jitter adds noise to the downsampling process. A Shape parameter allows transforming the quantizer’s curve. Introduced “Spectral Resonator”, a new audio effect device for Live.

Based on spectral processing, Spectral Resonator uses spectral resonances and pitched overtones to add tonal character to any audio source. MIDI sidechain parameters allow processing any material in key with its surrounding musical elements.

Spectral Resonator offers several spectral processing types on the input signal, including spectral filtering, spectral chorus, and granularization. Introduced “Spectral Time”, a new audio effect device for Live. Spectral Time combines time freezing and spectral delay effects in a single inspiring device. The freeze and delay effects can be used together or independently, allowing for a wide range of possibilities, such as sustaining any sound infinitely, or combining delays with time-synced fade transitions.

Live’s Status Bar will now indicate when an update for Live is being downloaded. Once it is downloaded, the Status Bar will state that Live must be restarted in order to apply the update. It is possible to change this default behavior, so that Live will first ask for permission before applying a new available update. The next time an update for Live is available, the Status Bar will display buttons for choosing whether or not to apply the update.

Live 11 Release Notes Bugfixes: Live no longer hangs when opening a dropdown menu while Grammarly is running. Clip borders are now drawn in an opaque color to improve visibility. Updated the software texts for the Collision instrument. The clip names of frozen take lane clips now appear as expected in Draw Mode. Extending an unwarped clip past the original clip end now functions as expected.

When Draw Mode is enabled, grid lines will appear as expected in take lane clips. The time selection of folded tracks in Automation Mode now appears as expected. Fixed a bug that caused loud audio spikes in Wavetable under rare circumstances.

Scrollbars appear as expected when a long list of items is displayed. Fixed a crash that occurred when opening Flux:: VST2 plug-ins. Arrangement View Improvements You can use the left arrow key to navigate from an automation lane or take lane to the main track, this will fold the lanes as well.

Capture MIDI In the first captured MIDI clip in an empty set with the transport stopped , if the detected loop is eight bars or less, the first played note is considered the start of the loop. The Pitch dial is now smaller and the Gain slider has been enlarged.

Interface You can use the left and right arrow keys to switch between radio buttons anywhere in Live. Updated various info texts. Updated some Help View lessons. Max for Live Updated the bundled Max build to version 8.

Error reporting in the Max Window is more consistent. Four new theme colors are available in Max for Live. Multi-Clip Editing Time selection interactions, note selection interactions, and new note editing options have been added to multi-clip editing: Time in the MIDI Note Editor can be selected across loop and clip boundaries.

Wavetable: A context menu option for Hi-Quality mode has been added to the Wavetable device. Updated some parameter names for the Chorus-Ensemble device on Push 2. Session View Improvements Using the left and right arrow keys to navigate the Session View no longer skips return tracks, if they are visible.

Multi-selecting scenes now behaves the same as multi-selecting clip slots. Setup To avoid incompatibilities, you will be asked to save Live Sets created with an older version of Live as a new file in Live Bugfixes: Live Bugfixes Devices that use beat sync divisions now remain in sync when the device is re-enabled during playback. The undo text for changed clip colors has been corrected in the Edit menu.

Renaming take lanes in linked tracks works as expected. Folded clips with long fades appear as expected. Fixed an issue that caused clip fades to reset when resizing adjacent clips. E-Piano Wurli. Fixed an issue that caused auto-updates to fail on certain computers on Windows OS. Fixed an issue that caused Push to get stuck on the logo screen.

Fixed a bug with the Expression Control device. Key events keep working when a selected Max for Live device becomes invisible. Mapped waveforms in the LFO device appear as expected. Clip View When transposing an unwarped audio clip: The time ruler below the waveform will change to show the accurate amount of seconds in the waveform. Comping When choosing a take lane for recording, Live now uses the first take lane that provides enough space.

The Device Activator button can be controlled. Mixer Control: An unlimited number of Tracks can be controlled. Track Mute, Solo and Selection can be controlled. Follow Actions When transposing an unwarped audio clip, the position of the Follow Action marker will change to keep in sync with the playhead and the actual beat-time of the Follow Action.

Live now has improved performance in certain scenarios. Wavetable: When the transport is stopped, any hanging notes in the Wavetable device will now be stopped, as in other Live instruments. Session View Making a selection or multi-selection using keyboard navigation in the Session View’s scene area now works as expected. Bugfixes Arrangement View Previously, reactivating a take lane selection when Draw Mode was enabled would create a flickering effect. Recording auto-quantization now applies to take lane clips as well as main lane clips.

Arpeggiator: Fixed a bug that could cause a crash when repeatedly adding and removing notes from a held chord when using the Arpeggiator device with the Hold parameter active.

Collision: Fixed a regression that resulted in missing parameters in the Collision device. Hybrid Reverb: Previously, Live would crash when loading a one-sample length file into the Hybrid Reverb device and adjusting the Size parameter. Interface Improvements Fixed an incorrect error message that appeared when trying to insert a non-audio device into an Audio Effect Rack.

Corrected the Edit menu entry text for undoing a clip color change. Link Fixed a bug where Live would not accept tempo changes from Link peers in some cases. Navigating with the Tab key once again works as expected when renaming scenes. Setup Previously, exporting audio might start single-threaded rendering before switching to multi-threaded rendering after a while. Improved shared Library folder setup when installing Live in multi-user environments.

It is now possible to rename multiple selected tracks simultaneously. Clip View The Sample tab’s Clip Gain control has been changed back to a vertical slider, and it has been repositioned above the Transpose controls. The Sample tab’s Reverse button now shows an icon instead of text. The Sample tab’s Reverse and Edit buttons are now positioned next to each other. Added a Pitch dial to the Sample tab, which enables shifting an audio clip’s pitch in semitones. The Transpose controls now appear as adjacent slider controls, positioned beneath the Pitch control.

When multiple audio clips with different Clip Gain values are selected, the value range is shown with split triangle handles on the Clip Gain slider.

Added some visual refinements to the Clip View tabs. Follow Actions The Follow Action Chance slider now displays a split triangle instead of just a black bar when it is showing multiple different values. Interface Updated various Help View lessons. Updated some Japanese and Chinese info text translations. The Overload Indicator is disabled by default for new Live 11 installations. Live’s performance is improved when deselecting many clips at once. The background color of lane headers is now consistent with the Notes tab.

Clicking on a lane with a standby selection now selects that lane instead of collapsing the time selection. When the Expression tab is open, using the “Zoom to Clip Selection” command or “Z” key shortcut now adjusts the zoom level according to pitch bend values contained in the time selection.

It is now possible to clear all per-note Pitch, Slide and Pressure expression envelopes of a note at once by using the “Clear All Envelopes” entry in the context menu of the per-note expression breakpoint editor. Changing the foreground clip from the Clip View updates the highlighting of the track in both the Session View and Arrangement View and the scene corresponding to the new foreground clip.

Clicking on a clip’s multi-clip loop bar in the Clip View updates the highlighted track, even if this clip is already the foreground clip.

Plug-in devices now look similar to built-in Ableton devices when disabled. Note: this is only visible in the system’s CPU monitor, not in Live’s audio processing meter. When low polyphony and unison voices are set, less CPU usage should be shown. Wavetable: Added support for Drum Rack choke groups to the Wavetable device. Updated the notification style for scenes, and updated the scene name visualization to include the absolute position, tempo and time signature on Push.

Adjusting multiple encoders while recording automation now creates less undo steps on Push 1 and 2. It is now possible to rename multiple selected scenes simultaneously. In the Session View’s Track Status display, the remaining play time of an unlooped clip now always displays the seconds with two digits e. Control Surfaces Added control surface support for the Roland Fantom.

Specifically: The Rewind and Fastforward buttons will now rewind and fastforward the Arrangement position. Turning the Encoder will now scroll the Session frame up and down. Holding the Encoder down and turning it will scroll the selected Scene up and down. Fixed an issue where the Session frame was visible even when the hardware was not connected.

Fixed a crash that could occur when restoring the Arrangement View’s zoom state using the “Z” keyboard shortcut after deleting a take lane. Fixed a crash that could occur when clicking in a track’s main lane after track content had been selected during recording, under certain circumstances.

Previously, mixer controls in linked tracks would still be linked when selecting a take lane, after multiple track headers had previously been selected. Arrangement clip headers no longer have an uneven appearance. Previously, an Arrangement clip header would not be displayed as having a standby selection when the focus was moved away. Previously, it was not possible to unlink all tracks when some tracks were nested inside a Group Track.

Fixed a crash that occurred when inserting a take lane. Previously, the Operator device could crash or calculate inaccurate frequencies when its Fixed Mode and Spread parameters were enabled. Switching between oscillator effects in the Wavetable device now changes labels within each matrix as expected. Previously in the Spectral Resonator and Spectral Time devices, gaps would sometimes appear in the Spectrogram at high frequencies. A Max for Live device’s background color now updates correctly after moving that device between tracks.

Fixed two bugs in the MPE Control device: The Pressure curve would not follow Live’s themes when the device was instantiated while using the Dark theme. The Launch Macro Variation button can be mapped as expected again. Fixed a crash that could occur when dragging an empty frozen MIDI clip to an audio track. Fixed a crash that could occur when freezing a track after recording, under certain circumstances.

Fixed the alignment of the Launch text label that appears in the expanded view of the Clip View’s Clip box. Previously, when copying a folder with audio files to another folder which was already in Places, the files would not appear in the browser.

Previously, when saving a Live Set file such as a clip or preset in the root folder of the temporary current Project, that file would not be copied over to the final destination Project. Previously, resizing the Device View, as a result of switching to the Arrangement View, while no clip was selected would result in automation lanes having the wrong height when switching back to the Session View.

Previously, using Tempo Follower and Tap Tempo at the same time could create a conflict with Live’s tempo. To prevent this, Tempo Follower is now disabled as long as Tap Tempo is active. Previously, the waveform of an audio clip in the Detail View would be displayed in a dimmed color, although that clip was not audible while Audition Mode was enabled. Using pinch gestures to zoom once again works in expression lanes. Previously, the vertical zoom level and scroll position in the MIDI Note Editor were sometimes wrong when switching from the Expression tab to the Notes tab.

It also cannot be minimized anymore. These changes highlight that the second window is not a stand-alone window, but secondary to the main window. When switching virtual desktops, floating windows are no longer shown on the new virtual desktop. When using virtual desktops, floating windows e.

Fixed a bug that enabled performing certain actions e. Previously, the selection on an auditioned take lane would look different when Draw Mode was active. Previously, adding a device via double-clicking could create two undo steps. Fixed a performance regression when loading a Live Set with many devices.

Fixed an issue where a Rack’s selector buttons for chains and devices would swap places, under certain circumstances.


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Live could crash when adding a drum rack from the ableton live suite 9 mac patch free pack. Improved performance when scrolling vertically in Session View with Push 2. Alina g 16 September at Auto-scrolling in session view ссылка на продолжение get stuck after releasing the mouse, when dragging a device across the splitter between browser and session view. Observing or controlling the APC40 button matrix with a Max for Live device would not work after disabling the control surface. The Scene Launch Buttons would be lit even if no scene exists. The filters will be automatically upgraded if these were not active in the preset.